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Category Archives: Performance Drama

Mentoring and Critical Appraisals

The Tears in the Fence editors now offer more Mentoring and Critical Appraisals in poetry, drama, performance, scriptwriting and voice work.

Playwright, Performance Studies Lecturer, and poet, Louise Buchler is offering Mentoring in Scriptwriting and Verse Drama under the same scheme. She has more than twelve years of experience lecturing in Writing for both Stage and Screen. She made the shortlist for the National Theatre London’s Africa Playwriting Competition recognising her as one of the top twenty playwrights on the African continent. Her plays have been widely performed. Her poetry has been published in Tears in the Fence and various publications in South Africa. Louise is also available for Performance and Voice coaching. Please email Louise at tearsinthefence@gmail.com

Poet, essayist and editor, David Caddy offers critical appraisals and mentoring in Poetry, Flash Fiction and Publication for other literary genres and projects. This involves taking a manuscript from first draft to publication, advising on where to send your work and the range of available options for a prospective poet and author.

Recent comments on their mentoring include:

‘The appraisals from David and Louise were thoughtful and precise. Their feedback ranged from specific matters of craft to the broader question of how I might take my writing forward. They responded to the work on its own terms and even picked up on recurring motifs and concerns I hadn’t been aware of myself.’ Phil Baber

‘David’s critical appraisals are immeasurably helpful. His work
towards my first full collection was immensely useful.’ Jessica Mookherjee

‘David’s close and perceptive reading of each poem, help with ordering and sequencing my pamphlet collections, and support with my first full collection has been enormous. I thoroughly recommend his critical and mentoring services.’ Geraldine Clarkson

For more details visit
https://tearsinthefence.com/mentoring

Nine Plays by Will Stuart

Nine Plays by Will Stuart

Edited with an Introduction by Ian Heames & with

an Afterword by J.H. Prynne  (Face Press, Cambridge 2014)

 

After reading these fascinating pieces of dramatic realisation one comes across Jeremy Prynne’s concluding comments:

 

‘This suite of recently composed performance scripts is instructively hard to categorise’.

 

Hooray, I thought, no box to simply pack these into then! And the opening sentence of that Afterword took me back to re-read Ian Heames’s Introduction which in a way set the scene in a very appropriate manner:

 

‘A book of plays in which characters can stand on-stage not really playing their parts casts the familiar role of a general introduction in an awkward light. In the context of the work that follows, the usual range of opening manoeuvres would be a dress-rehearsal for the wrong occasion.’

 

Of course Samuel Beckett’s ghost haunts the wings of this display and the merging of lyrical intensity with a breath-taking awareness of what constitutes loss is a hallmark of much of the writing here:

 

‘The past. What is it? What is the past? The past, what is it? What is the past? The past is a present. It is a no-longer-useable present. Gone and forgotten. Gone and not forgotten.’

 

Prynne’s comments are instructive as they direct us to another haunting presence:

 

‘The emotional carapace overall that encloses precarious life is assembled from off-the-peg elysian fancies that are profoundly tested e.g. against the lyrical reticence of Thomas Hardy, poet: in the more distant background lurk parody dinosaurs dressed up as a light blend of Harold Beckett and Samuel Pinter; not to mention Lucian and Ovid in deeper shade.’

 

A fascinating volume…get it…

http://face-press.org/nine-plays.html

 

Ian Brinton 9th June 2014

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