Edited by Lucy Hamilton, Linda Black and Ann Vaughan-Williams
Linda Black’s editorial states the magazine’s intention ‘to represent the broad range of contemporary poetics’ and they achieve this with aplomb. Each issue has an impressive range of long poems, introduced by each poet, and one substantial essay.
Issue 11 is no exception to the usual high standard. Robert Vas Dias’ essay on Paul Blackburn’s The Journals (1975) is a wonderfully written personal and critical introduction to the subject. It is highly informative, providing a contextualised reading of a neglected, major American poet. By the way, Simon Smith is editing a Paul Blackburn Reader for publication by Shearsman in 2015, which will include hitherto unpublished material from the Blackburn archive at San Diego.
This issue has a strong international flavour. There are translations from the Spanish of Mercedes Cebriàn’s 2005 ‘Common Market’ poem by Terence Dooley, and from the Russian of Vladislav Khodasevich’s 1926 ‘John Bottom’ poem by Peter Daniels.
Frances Presley’s ‘OBX’ poem is a tribute to and a dialogue with Muriel Rukeyser’s Outer Banks (1967) and was written in and around the Outer Banks on the Atlantic coast of North Carolina.
Mark Sorrell offers a translation of the Anglo-Saxon poem, ‘The Battles of Maldon’, and Kevin Crossley-Holland’s ‘Harald In Byzantium’ captures the eleventh century Norwegian giant between two worlds thinking about home and identity. Edwin Stockdale’s ‘Snowdrops’ stems from an immersion in Elizabeth Gaskell’s 1853 novel, Ruth, and Aviva Dautch responds to Pablo Picasso’s 1946 Bull lithographs in the context of Theodore Adorno’s challenge about the possibility of art after the Holcaust. ‘Eleven Developments Of A Lithograph’ employs a first person narrative to follow Picasso’s progression from the figurative to abstraction and response to barbarism. Anna Stearman’s ‘Letters to Dr. Freud’ stems from reading H.D.’s Tribute to Freud (1956) and is mediated through Rilke, Anna Freud, and others.
I was pleased to see D.M. Black featured. He seemed to have dropped from view in recent years due one suspects to writing unfashionable poems. His ‘The Uses of Mythology’ reads Ezra Pound’s ambition and trajectory through the myth of Marsyas, flayed alive for daring to compete with Apollo. Similarly unfashionable is Aidan Semmens’ wonderfully titled, ‘A Clergyman’s Guide To String Theory’, derived from a chance method of finding non-poetic lines on page 53 of a selection of books in his home and using playing cards to shuffle the lines and generate a random sequence. The poem begins:
I dropped into line with women
rich clusters of columbine heavy and dark
there is serene repose in the body
both sacred and sordid
surrounded by scaffolding
a face cut into stone the steps strewn with lavender
selection of articles collectible figurines and large scenes
a few pieces in relief entirely made by hand
ancient hunters and gatherers painted figures
of animals and humans in shades
of red and yellow ochre
on the cliffs that line the innumerable waterways
There is also captivating work by Mimi Khalvati, Anna Reckin, R.D. Parker, Lisa Kelly, James Byrne and Maitreyabandhu, and an editorial by Linda Black.
Each issue is £6. Annual subscriptions are £14.50.
David Caddy 24th June 2014