I felt highly honoured when asked to provide a few words for the back cover of this long-awaited collection and make no apology for repeating those words here:
The dreams of David Miller hang tantalizingly over the mind’s edges: their disappearance is ‘manifestation and absence’, like breath into the wind. Through those ‘irregular / small gaps’ an attentiveness to the world of the other permits him to focus upon the immediate.
In the short essay on the ‘Theme of Language in Relation to Heidegger’s Philosophy’ which appeared in Paper Air, Volume 3, number 1 in 1982, Miller referred to the German philosopher’s regard for language as the ‘place or dimension where beings are brought into the light of unconcealment’. He concluded with a statement that is so pertinent to his own poetry:
The thinker and the poet would presumably be “listening” to Saying rather than merely forcing language to do their bidding; so that beings could be “released” into their “whole” being: then beings would be encountered in such a way “that Being would shine out of them”.
In a similar vein Miller also wrote an important account of the poetry of Charles Madge for Great Works 7 (1980) in which he referred to Madge’s poetry working ‘at an uncovering, indeed a double disclosure’:
It seeks to uncover and demystify the myths of capitalist society; and also to disclose a fundamental richness and beauty in both the life we do live and, importantly, the life we could live but may be prevented from living.
An early section of Miller’s substantial sequence ‘The Story’:
that story was the story you told,
as notation for music.
to question the term “unit” is to
question the term “totality”
and I question it.
no one knows what is meant by
This long awaited collection offers the reader both units and totality: it is a terrific volume which Shearsman has produced.
Ian Brinton, 30 May 2014.