Tag Archives: Anthony Barnett

Oxford Companion to Modern Poetry

Oxford Companion to Modern Poetry

Edited by Ian Hamilton & Jeremy Noel-Tod

 

Last week I put a few words on the UK Poetry List about this new edition of a very useful book and I make no apology for repeating them here:

 

  • Some inclusions are very welcome indeed such as Laurie Duggan, William Fuller, Lynette Roberts (amongst many, many others) and some updating is extremely sharp as with reference to J.H. Prynne’s Kazoo Dreamboats and Ben Watson’s Blake in Cambridge.

 

  • Some exclusions are a pity and I miss seeing Kelvin Corcoran, John Hall and Ian Patterson. The exclusion of Anthony Barnett is rather more bizarre given his Collected Poems of 1987 (recently updated and enlarged) as well as his important role in the field of poetry publication including the first collection of Prynne as well as that of Douglas Oliver and Andrew Crozier. His Allardyce, Barnett editions of modern poets also included the first collected poems and translations of Veronica Forrest-Thomson, an important volume which pre-dates the one mentioned in the V.F-T. entry.

 

  • Some updates needed a touch more overseeing from the central control tower and I wonder how many errors may lurk within the 700 pages. Notably: the entry for Henry Treece is simply incorrect in that it says that ‘There is a selection and discussion of Treece’s verse by Andrew Crozier in Conductors of Chaos’ No, there isn’t! I suspect that Crozier would have been very happy to provide one if he had been asked.

 

  • However, when all is said and done it is an important book with a wealth of information and it will, I suspect, remain the best of its encyclopaedic type for some years to come. I look forward to reading it more closely.

Well done J N-T.

 

Since then I have been assured by the editor (the living one!) that the Crozier/Treece blip will be corrected before the paperback edition appears. Whilst my curiosity remains over the exclusion of Barnett I have now a much greater overview of the whole project and can see how valuable it is going to be to those whose awareness of contemporary poetry is limited to the bookshelves of Waterstones or the catalogues put out by Faber & Faber. I recall from my own teaching days that all reading lists are, to a certain extent, an indicator of the individual interests of the lists’ compilers. This doesn’t mean that there is no accepted corpus, comment upon which must be visible, but that the lesser known areas of focus represent the interests of the person who created the list. Jeremy Noel-Tod’s task is a very unenviable one in that this volume carries with it a weight of imprimatur: it is published by Oxford University Press. The task is also unenviable because it will always make some poets unhappy when they discover that they don’t appear. I think that the overall scope of what the new editor has tried to do is admirable and, having said that, I now feel liberated to name a few rejoicings and regrets:

 

Terrific to see Roger Langley, Peter Larkin and Tony Lopez there; shame that there isn’t an entry for Nicholas Johnson, poet and founder of Etruscan Books. Delighted to see Gig Ryan in (look out for the review Laurie Duggan has written for Tears 58); pity there wasn’t room for Tim Longville and more on Grosseteste Press. Absolutely right to see Andrea Brady, Sean Bonney and Keston Sutherland; pity not to see Peter Hughes.

 

Top prize goes to Neil Pattison, Reitha Pattison and Luke Roberts for getting a mention for their Certain Prose of The English Intelligencer, published by Mountain Press last year. This small Poetry Press has produced some distinguished writing (including recent work by Danny Hayward) and I cannot be alone in hoping that there may be a follow-up to the Intelligencer volume.

 

Ian Brinton

 

 

 

 

Tears in the Fence 57 is out!

Tears in the Fence 57 is out!

Tears in the Fence 57 is out! It is available from http://tearsinthefence.com/pay-it-forward/ and features poetry and fiction by Sean Street, Elizabeth Welsh, Lou Wilford, Pansy Maurer-Alvarez, Ben Hickman, Karoline von Günderrode, Lori Jakiela, Paul Kareem Tayyar, Rosie Jackson, Isobel Armstrong, Steven Earnshaw, Sarah Miller, Paul Matthews, Alexandra Sashe, Susmita Bhattacharya, Claire Crowther, Alistair Noon, Mélisande Fitzsimons, Gerard Greenway, Adam Fieled, Jennifer Compton, Alison Lock, Kevin McCann, Dorothy Lehane, Andrew Shelley, Melinda Lovell, Peter Robinson, Tess Joyce, Tim Allen, Jaime Robles, Noel King,  Geraldine Clarkson, Gavin Selerie, Steve Spence, Eleanor Perry and many others.

 

The critical section includes selections from Letters From Andrew Crozier to Ian Brinton, Andrew Duncan on Fiona Sampson’s Beyond The Lyric, Chrissy Williams on Chris McCabe, Michael Grant On Writing, Laurie Duggan on Geraldine Monk’s Cusp, Jeremy Hilton on David Caddy, John Welch, Robert Hampson on Ben Hickman, Sheila Hamilton on Melissa Lee-Houghton, Lindsey Holland, Frances Spurrier on The Best of British Poetry, Mandy Pannett on Rocco Scotellaro, Ian Brinton on Donald Davie, Jay Ramsay on Norman Jope, Pauline Stainer, Michael Grant on Anthony Barnett, Ric Hool on Mario Petrucci, Richard Humphreys on Clive Wilmer, Ben Hickman on Wide Range Chapbooks, and regular columnists David Caddy, Rosie Jackson, Anthony Barnett and Ian Brinton.

 

 

 

 

Andrew Duncan

Andrew Duncan

Two new books from Shearsman bring some lost or uncollected work of Andrew Duncan back into the public eye and both are startlingly immediate to the eye and mind.

 

Threads of Iron is Andrew’s lost book: not because it was never published, but because it never appeared as intended. Instead, the original was split into two and was published in two parts by Reality Street Editions (in 1991) and by Shearsman Books (in 2000). Another part of the manuscript was cut and became Sound Surface; this latter manuscript is part of In Five Eyes, published simultaneously with this volume.

 

Three of the poems from Threads of Iron were first published in Grosseteste Review 15 (1984-85), Tim Longville’s last issue of the finely produced magazine that he had started along with John Riley and Gordon Jackson in 1968. ‘The Poet and the Schizophrenic’, ‘Visitors to Art Galleries Considered as a Branch of the Fine Arts’ and ‘Turkish Music’ appeared alongside work by William Bronk, Tom Lowenstein, Andrew Crozier, Nick Totton, Philippe Jacottet, Rosemarie Waldrop, Stephen Rodefer, Ian Patterson, John Wilkinson, Peter Riley, Peter Robinson, Michael Haslam, Rod Mengham, Roy Fisher, Anthony Barnett, John James, David Chaloner and more…and more…

 

and they were followed by ‘A letter to Andrew Duncan’ by J. H. Prynne, a short extract from which appears on the back cover of this Shearsman publication:

‘Seeing this sequence as a large, articulated work, put into its sections and with the culminations of a sustained amplitude, I esteem its achievement very highly.’

 

As a matter of further interest and connectedness it is worth noting that the first issue of SNOW is due out on Friday:

SNOW 1 is published on Friday and will be sent out to contributors and those

who have already bought the issue by Saturday.

SNOW is 80 pages. All contributions are previously unpublished.

Prose and poetry by Michael Haslam, Rosa van Hensbergen, Peter Hughes,(Petrarch), D S Marriott, Alistair Noon, Joseph Persad, Denise Riley,

Peter Riley, Keith Sands (Mandelstam), Nick Totton, Juha Virtanen,

Nigel Wheale, James Wilson.

An etching dated 1975 by Gisèle Celan-Lestrange; a 1983 letter by J H Prynne

substantially about Paul Celan and translation; music scores by India Cooke,

the late Leroy Jenkins, Dave Soldier; film, photography and other work by

Sung Hee Jin, Alexis Nishihata, restaurateur Alex von Riebech, Aya Toraiwa;

a drawing of Hélène Cixous reading at the 1979 Cambridge Poetry Festival.

 

SNOW is available only direct from the UK publisher. Issue 1 is priced at

£10 incl. mailing or euro12 or US$19 incl. airmailing. Payment can be made

to PayPal ID ab@abar.net or by sterling cheque payable to Anthony Barnett.

 

SNOW

Anthony Barnett, Ian Brinton, eds.

Allardyce Book

14 Mount Street, Lewes, East Sussex BN7 1HL

ab@abar.net

http://www.abar.net

 

Tears in the Fence 56

Tears in the Fence 56

Tears in the Fence 56, designed by Westrow Cooper, is 176 pages and features poetry by Peter Hughes, S.J. Litherland, Aaron Belz, Michael Grant, John Latta, Geraldine Clarkson, Sarah Crewe, Mark Goodwin, Steve Spence, Louise Anne Buchler, Chrissy Williams, Papageorgiou, Lynne Wycherley, fiction by John Brantingham, James Wall, visual poems by Sarah Kelly, and extract from David Caddy’s Cycling After Thomas And The English.

The critical section features Jennifer K. Dick and What’s Avant-Garde in the 21st Century, Jeremy Reed on Robert Duncan, Laura Burns on Elisabeth Bletsoe, Harriet Tarlo’s The Ground Aslant, Michael Grant on Anthony Barnett, Ian Brinton on Michael Heller, Laurie Duggan on Michael Bolton, Mandy Pannett on Catherine Edmunds, Peter Carpenter on Mathew Hollis and Edward Thomas, Steve Spence on David Harsent, Philip Kuhn, Rosie Jackson’ s Between The Lines and Anthony Barnett’s Antonyms, plus much more.

Order, subscribe and pay online at http://tearsinthefence.com

Anthony Barnett & Barnacles

On Monday 24th September Anthony Barnett gave a reading at the Poetry Library, Royal Festival Hall as a contribution to the launch of illustrator Mary Kuper’s new book Barnacles & Dames, an anthology of etymologies, poetry and images. Other poets included in the book are Brodsky, Joyce, Armitage, Muldoon, Adcock, Stevenson, Scupham, Padel and Kaufman.

Anthony read his poem ‘In All Weathers’ which had originally appeared in his collection Carp and Rubato, Invisible Books 1995. The poem is, of course, republished in his recent magnum opus Poems & (Tears in the Fence in association with AB).

As well as reading this major piece Anthony also read J.H. Prynne’s ‘Es Lebe Der König’ which he had published in The Literary Supplement, Writings 1, Nothing doing (formally in London) 1973. This poem by Prynne had originally been published in Peter Riley’s Collection 7 in 1970 before appearing in the Ferry Press publication, Brass.

The reading included the first stanza of ‘At Chartres’ from D.S. Marriott’s Incognegro (Salt 2006) and the first section of Barnett’s own translation of Zanzotto’s ‘Vocative Case’ which can be found in his recently published collected Translations (Tears in the Fence in association with AB) before concluding with the short piece ‘Remembrance’ from Antonyms & Others.

Remembrance

It is with dismay that I think about writing another poem

along these lines. My imperious whore, my visited muse.

I suffer vertigo and nausea in a labyrinth of cleansed dirt.

Anthony Barnett has a regular column in Tears in the Fence and a review of his recent publications can be found in the current issue of The Poetry Review.