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Skylight Press

Skylight Press

Skylight Press (http://www.skylightpress.co.uk ) continues to impress with their beautifully designed books of literary fiction, poetry and the esoteric. Their recent books include some extraordinary publications, such as the reissue of Iain Sinclair’s Lud Heat: A Book Of The Dead Hamlets, first published in 1975, with an introduction by Allen Fisher, an afterword by Michael Moorcock, maps and illustrations by Brian Catling. As Andrew Crozier wrote:

     Lud Heat is ostensibly a narrative of a period of employment in the

Parks Department of an East London borough; this temporal

location, however, receives less stress than the spatial one with

which it intersects: that of the pattern imposed on the townscape

by Nicholas Hawksmoor’s churches, potent presences in the poets

working environment, around which accretes a second temporal

dimension, historical and mythological, which constitutes the

writer’s real subject.

Crozier concluded that ‘The book is a notable achievement, and an impressive indication of the real health of English poetry.’

Sinclair was inspired, in part, by the poets and poetics of Black Mountain College, where the poet and painter, Basil King, was educated. King left London’s East End in 1947 and subsequently studied at Black Mountain before becoming a New York based painter, seeking an art that moved ‘from the abstract to the figure, from the figure to the abstract.’ King’s Learning to Draw / A History, edited by Daniel Staniforth, an evolving, transformative narrative, mixing poetry and prose, documenting the memoirs of his life and times is one of the many significant titles.

Michael S. Judge’s thoughtful and strange novel,  … And Egypt Is The River, is similarly indebted in part to Charles Olson’s poetics in his fascination with etymology, and to quote from an interview, ‘the cartography of the attentions – personal, cultural, political, mythic, cosmological’. Egypt here is read as a state of being in a series of beguiling chapters that transmute the division between poetry and prose.

Tonight the star is hot with evil speech.

Tonight the star wants enemy to drink.

Tonight the star’s in coils that shock us when they’re wet.

Tonight the star’s back panel snaps and furnace cracks its wall.

Tomorrow night, we’ll say: There used to be a star.

Skylight Press is wonderfully diverse with many books on the magical and pagan traditions, and includes the recently published The Lost Art Of Potato Breeding by Rebsie Fairholm, in its catalogue. This book has practical instructions on how to make seeds from potato berries, cross different varieties, choose which ones to experiment with, and how to keep your newly created varieties growing in the future. I admire a publisher that embraces gardening and poetry.

David Caddy 19th February 2014

The Groundlings of Divine Will

The Groundlings of Divine Will

Daniel Staniforth’s The Groundlings of Divine Will (Skylight Press 2013) http://www.skylightpress.co.uk sees Shakespeare’s first audience, ‘the groundlings of the pit’, as a secret society addressing the Master Of Revels in a glorious riposte to the ways in which Shakespeare studies have taken the playwright away from his historical context. The groundlings, with their ‘ears to hear and eyes to behold’, speak out as one voice in their defence of Divine Will   against all manner of heresies. It is great fun, satirically astute and tightly written using quotations from the plays to reinstate the work in its historical time frame.

‘Twas while shivering at the Winter’s Tale when we heard the

accused Paulina quip – It is an heretic that makes the fire not

she which burns in’t. (Measure for Measure)

The groundlings stand in the pits facing the heavens, their apostolic gazes emboldening the players in their holy writs, clinging to their Divine Will and his sacred trinity of Seneca, Plutarch and Hollinshead, ingesting the pit-rolls and piss-ales of their transubstantiation. They speak out as ‘the human wick, the Temple candle, the alchymy of light’ against theological orthodoxies and their torturing and tortuous ways garnering their evidence and support from the Divine Will, the cauldrons of dark hags, Ralegh’s School of Night, Dr. John Dee, mystical and neo-Platonist writings. Written in period vernacular and ablaze with fire, the killing of heretics, sorcerers, witches, mediums and wizards, classical and mythological references, the Gods of love, which seep in and out of the plays, the book highlights the themes that would have been more pronounced in Shakespeare’s time. The groundlings, imbued with folklore and paganism, see what characters represent and hide, connect Hamlet with Dr. Dee, note the shadowy characters, enjoy Iago’s lies, Lear’s fool and Hamlet’s gravedigger and all the allegories.

The book is beautifully designed by Rebsie Fairholm and printed in 1651 Alchemy, a Garamond type reconstructed from historical sources and comes with humorous back cover blurbs by Rev. Obadiah Horseworthy, Emanuel Swedenborg, Frater Nubilus and Ben Johnson.

It is great fun and highly recommended.

David Caddy

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