Tag Archives: Barbara Bridger

SPIRALS: a multilingual poetry and art book edited by Hari Marini & Barbara Bridger (Tears in the Fence)

SPIRALS: a multilingual poetry and art book edited by Hari Marini & Barbara Bridger (Tears in the Fence)

This interactive book, edited by Hari Marini and Barbara Bridger, and artfully designed by Westrow Cooper, celebrates a ten year project created by the Part Suspended Artist Collective, and is available from

https://tearsinthefence.com/pay-it-forward/ 

SPIRALS, a collaborative multidiscipline, multilingual project involving artists with a shared feminist perspective, spanned a decade of activity from 2013-2023. Using the symbol of a spiral as an inspiration, a series of performance rituals, artistic interventions, performance writing, audio-visual manifestations, online projects, exhibitions, and theatrical events took place in the UK, Europe and beyond.

The book is divided into three parts. The first part explores time, topos, arrival and longing. The second part considers isolation, Covid and Women’s writing, spirals, circles, galaxies, turning points and breath. The third part features the SPIRALS open archive and selected contributions to that archive from 2022. Lockdown, with its enforced period of contemplation, and the associations of spirals as a geophysical feature serve to contextualise the juxtapositions of different languages and cultures within a common humanity. The work is profoundly ethnographic, feminist, and celebrates a togetherness and unity as opposed to division and conflict at a time when populist nationalism began to widen its appeal.

Involving poets, translators, and artists from throughout Europe, SPIRALS transcends the constraints of linear time and space, spiraling in and out of temporal boundaries. It initiates conversations that traverse waking and dreaming realms, navigating through cityscapes and landscapes, and forces the reader to think and feel more laterally. The interplay between interiority and exteriority creates a tapestry that invites contemplation and engagement through time and space. As Niya B writes in the poem, ‘an end and a beginning’:

every   seed    carries its own    memory

every   skin     carries its own    history

every   body   carries its own    weight

every   step    carries its own    intention

every   soil      carries its own    dead

The anthology includes a series of QR codes enabling the reader to access videos and other documents from a tapestry of collaborative events during a tumultuous decade. SPIRALS offers a ritualistic probing of origins, naming and time through the cycles of birth, life and death, ethnographic and archival materials, appendices, editorial notes, preface, and colour artwork. It is a joy to read.

Amongst the contributors are Niya B, Suparna Banerjee, Barbara Bridger, Sarahleigh Castelyn, Sally Pomme Clayton, Noèlia Diaz-Vicedo, Georgia Kalogeropoulou, John London, Erini Margariti, Hari Marini, Simon Persighetti, Nisha Ramayya and Beatriz Viol.

David Caddy 10th July 2024

Tears in the Fence 70

Tears in the Fence 70

Tears in the Fence 70 is now available at http://tearsinthefence.com/pay-it-forward and features poetry and prose poetry from Jeremy Hilton, Charles Hadfield, Mandy Pannett, Lisa Dart, Robert Sheppard, Simon Collings, David Ball, Tamsin Blaxter, Seán Street, Jessica Mookherjee, Peter J. King, Lucy Hamilton, Andrew Henon, David Sahner, Rhea Seren Phillips, Beth McDonough, John Freeman, L. Kiew, Andrew Duncan, Charles Wilkinson, Rhys Trimble, Ruby Reding, Peter Hughes, Maria Jastrzębska, Jane Joritz-Nakagawa, Hazel Smith, Lucia Daramus, Vik Shirley, Julie Mellor, Michael Henry, Cora Greenhill, Maggie Giraud, Paul Matthews, Adam Horovitz, Sarah Barnsley, Beth Davyson, Paul Green, Caroline Maldonado, Lesley Burt, Jonathan Chant, Jane Wheeler, Miranda Lynn Barnes and Reuben Woolley.

This issue is designed by Westrow Cooper and features a cover photograph by Emile Guillemot.

The critical section consists of Ian Brinton’s Editorial, Jeremy Reed on Bill Butler, Mary Woodward on Turin and Pavese, Barbara Bridger on Hari Marini, Ruth Valentine on Isabella Murra & Caroline Maldonado, Mark Prendergast on Chris Wallace-Crabbe & Kris Hemensley, Richard Makin on Ken Edwards, Caroline Maldonado on Mandy Pannett, Ian Seed on Martin Stannard, Duncan Mackay on Eleanor Perry, Sarah Connor on California Continuum Vol. 1, Nigel Jarrett on Rhys Davies, Cora Greenhill on Lena Khalaf Tuffaha, Lisa Dart on Kay Syrad, Nic Stringer on Michelle Penn, Adam Coleman on Duncan Mackay, Fiona Owen on Paul Deaton, Notes On Contributors, and David Caddy’s Afterword