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Tears in the Fence 67 is now available

Tears in the Fence 67 is now available

Tears in the Fence 67 is now available from https://tearsinthefence.com/pay-it-forward

This issue is designed by Westrow Cooper and features poetry, fiction, flash fiction and talks from Peter Riley, Angela Gardner, Jeremy Reed, Geraldine Clarkson, Mike McNamara, Khairani Barokka, Caitilín Gormley, Beth McDonough, Nigel Jarrett, Mark Dickinson, Colin Honnor, Jessica Sneddon, Lesley Burt, Charles Wilkinson, Colin Sutherill, Doug Jones, Radka Thea Otipkova, Maria Stadnicka, Richard Makin, Fiona Moore, Tess Jolly, Gerald Killingworth, Norman Jope on Lessons From A Left-Behind Laureateship, L. Kiew, Rupert M. Loydell, Jill Abram, Harriet Parker, Gram Joel Davies, Judy Darley, Charles Hadfield, Amy McCauley, Lucia Sellars, Tim Allen, David Ball, Jay Ramsay, Lydia Harris, Rosie Jackson, Rachael Clyne, Maitreyabandhu, Michael Farrell, Andrew Henon, Anna Backman Rogers, Andrew Shelley, Alexandra Sashe, Kris Hemensley, Cat Conway, Morag Kiziewicz and Jeremy Reed on Starman: Temenos Academy Talk.

The critical section features Ian Brinton’s Editorial, Isobel Armstrong on Carol Watts, Andrew Duncan on Steve Ely, Frances Presley on Hazel Smith, Rosie Jackson on Cora Greenhill, Melinda Lovell on Sheila Hamilton, Richard Foreman on Leonora Carrington, Vanessa Gebbie, Ian Brinton on Douglas Woolf, Elaine Randell on John Muckle, Lesley Saunders on Josephine Balmer, Mandy Pannett on Jay Ramsay, Fiona Owen on Matthew Barton, John Freeman, Andrea Moorhead on Pansy Maurer-Alvarez, Charlie Baylis on Rupert M. Loydell, Richard Foreman on Alan Moore, Suzannah V. Evans on the 2017 T.S. Eliot Summer School, Elizabeth Stott on Kathleen Jones, Jonathan Catherall on Robert Vas Dias & Julia Farrer, David Caddy on Stairs & Whispers, Morag Kiziewicz’s Electric Blue 3, Notes on Contributors and David Caddy’s Afterword.

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Tears in the Fence 64

Tears in the Fence 64

Tears in the Fence 64 edited by David Caddy is now available from https://tearsinthefence.com/pay-it-forward and features poetry, fiction, prose poetry and translations from Jeremy Reed, Jim Burns, John Welch, John Freeman, Sally Dutton, Chris Hall, Michael Henry, Beth Davyson, Kinga Tóth, Paul Kareem Tayyar, D. I., Lydia Unsworth, David Pollard, Mike Duggan, Jeff Hilson, Sheila Mannix, I.S. Rowley, Richard Foreman, Jay Ramsay, Alison Winch, Andrew Taylor, Alan Baker, Sophie Herxheimer, L. Kiew, Ric Hool, S.J. Litherland, Rachael Clyne, Andrew Shelley, Tom Cowin, Morag Kiziewicz, Matt Bryden, Jessica Mookherjee, John Phillips, Ian Brinton & Michael Grant trans. Mallarmé, Terence J. Dooley trans. Mario Martin Giljó, Greg Bachar, Jennifer K. Dick, Matthew Carbery, Mark Goodwin, Aidan Semmens, Peter Dent, Sarah Cave, Julie Irigaray and Maria Isokova Bennett.
The critical section features John Freeman on Jim Burns: Poet as Witness, Andrew Henon on Timeless Man: Sven Berlin, Mary Woodward on Rosemary Tonks & Veronica Forrest-Thomson, Jeremy Reed on John Wieners, Norman Jope on Chris McCabe, Marsha de la O in conversation with John Brantingham, Neil Leadbeater on Jeremy Hilton, Nancy Gaffield on Geraldine Monk, Lesley Saunders on Alice Miller, Belinda Cooke on Carole Satyamurti, Steve Spence on Dear World and Everyone in it David Caddy on Andrew Lees’ Mentored by a Madman, Nigel Wood & Alan Halsey, Duncan Mackay on E.E. Cummings
, Notes on Contributors, and Ian Brinton’s Afterword.
The front cover is a black & white detail of a Sven Berlin watercolour (1982, private collection) and the magazine is designed by Westrow Cooper.

Tears in the Fence cover archive

Tears in the Fence cover archive

There’s a milestone coming up and some interest has been expressed in old Tears in the Fence covers. So, in the service of all things vintage, I thought I’d track down a few.

Following on from the cut-up illustration by Elaine Drake used in No. 23. Summer 1999, not long after I joined the magazine, and right away embarked upon what in hindsight we’ll call the ‘bright phase.’

This is the second cover from the Tears in the Fence archive. Here we’ve jumped years to, I think, the last incarnation before the present design. Issue No. 48 – one of the bridge series. In this case, the Forth Bridge, using a photo that I took on a visit to Edinburgh. And yes, I do think maintenance was being undertaken at the time.

 

I was looking on the cover, and then inside, for the date. Annoyingly I must have decided that a date was unnecessary or, more likely, that not having a date added to its timelessness. Hmmm! But, strike that. I’ve just looked on the spine and there it is: Summer 2008.

 

By this time the format of the magazine is A5, and we have dispensed with varnishing to give a more tactile feel, but it is still single colour print onto card. The font is Garamond.

 

Westrow Cooper 21st July 2014

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